Thriller Planning

Basic plot:

When me and Alice sat down to plan the thriller we first had to first decide upon the basic format for our thriller. We decided that we would not use dialogue due to the fact that it would sound rough if we plan to use the school camera equipment. It would be much smarter for us to use non-diegetic sound throughout the scene. Secondly we decided on what we thought would make our thriller stand out, gender and social status were our first ideas, but after much consideration we decided that it would be much better to have a middle aged woman as the centre of attention. The image I had in my head was a far more deviant version of 'Jackie Brown'.
We then had to start work on the shot list. Without dialogue there would be very little point in using the 180 degree rule, however, to contrast victim and killer we may have used some form of the rule with extreme close ups.
The shot list is as follows:

1) The camera is facing from some distance away at the second story front windows of a house. The camera does not need to be parallel, it can be a high or low angle... The shot will be taken at night time and the lighting will come entirely from the room that the camera is focused on. There will be a woman in this room and she will be walking around in a hurry, picking items up etc. The camera will slowly zoom into the top left hand corner of the window, where the production company's name will appear. I took actually spent a lot of time deciding which corner of the window to zoom into, I decided on the top left corner mainly because we right from left to right, so if we were to zoom into any corner we would feel more comfortable with the right hand side.... I decided that if we are already reversing gender roles then why not build up to this by reversing the shots as well.
2) The previous shot has faded to white and now a new shot fades in. This shot is of a car park, the camera is facing down a hill looking into the car park. The shot is an over the shoulder shot, we see the hair of a woman so we know that this is the character from before. She is looking down at two men in the car park. I want to trick the audience by reversing the shot so that we see the men looking up at the woman but It would be hard to do this without breaking the 180 degree rule, however, I shall try my best to succeed.
3) we shoot from the floor for the next shot, it is an extremely low angle, we see one of the men from the car park walking towards the camera, as he comes closer and closer he covers more and more of the shot, finally he walks through the shot, revealing the woman from before to be walking behind him at some distance.

4) the final shot shows an elevator, the man presses the button and waits for the lift to reach him, when it does the woman is there, the camera moves slowly to the left to show a blank wall. We hear the diegetic sound of fighting and the film title suddenly appears on the wall along. The title will be in the classic Quentin Tarantino font and colour (yellow).
The idea of the first 3 scenes is to quickly show that there are two characters, both equally deviant, one a man one a woman, in the fourth scene we know that they have a fight but we do not know who started or won the fight. After the forth scene fades out the words '4 Weeks earlier will appear upon a black screen'. This shows the audience that this is in fact the end of the film, and to understand the history behind the characters and what happened at the lift they must watch the events of the previous weeks. The idea that this film is non linear not only helps create suspense straight away but it also insures that the audience stay to watch the rest of the film.